Towards the very end of the title track, Rollins screams so fucking hard that his voice almost resembles guitar feedback. Every time I hear that track it reminds me of the end of The Lawmower Man. There's strong evidence at the end of Damaged [see Damaged I] of the route the group would eventually take on this release. Apparently it caused a bit of a stir amongst the fanbase at the time, but fuck 'em, this record sounds great. Turn it up to full volume and scream along.
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